{"id":743,"date":"2024-01-01T18:59:59","date_gmt":"2024-01-01T17:59:59","guid":{"rendered":"https:\/\/ateliercontrepoint.fr\/?p=743"},"modified":"2026-02-27T12:19:31","modified_gmt":"2026-02-27T11:19:31","slug":"ryuichi-maeda","status":"publish","type":"post","link":"https:\/\/ateliercontrepoint.fr\/index.php\/2024\/01\/01\/ryuichi-maeda\/","title":{"rendered":"Ryuichi Maeda"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">N\u00e9 en 1971 au Japon. Vit et travaille en France depuis 1997.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Membre de l\u2019atelier Contrepoint depuis 1995, assistant.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Expositions solo depuis 2001,  au Japon : Hyogo, Kyoto, Tokyo, Shimane, Osaka. Ainsi qu&rsquo;\u00e0 Paris.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Expositions collectives depuis 2002 : France, Japon, Puerto-Rico, Italie, Portugal, Maroc, Danemark.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>T\u00e9l\u00e9phone : 07 44 87 43 82<br>E-mail : maedaryuichi4@gmail.com<br>Instagram: @ryuichi.maeda.71<br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"943\" height=\"707\" src=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/12\/Ryuichi-Maeda-_-Lentilles-deau.png\" alt=\"\" class=\"wp-image-746\" srcset=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/12\/Ryuichi-Maeda-_-Lentilles-deau.png 943w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/12\/Ryuichi-Maeda-_-Lentilles-deau-300x225.png 300w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/12\/Ryuichi-Maeda-_-Lentilles-deau-768x576.png 768w\" sizes=\"auto, (max-width: 943px) 100vw, 943px\" \/><figcaption class=\"wp-element-caption\">Ryuichi Maeda, <em>Lentilles d\u2019eau <\/em>(2017), eau-forte, impression en couleurs simultan\u00e9es.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La repr\u00e9sentation de la succession d\u2019\u00e9poques phares de ma vie, voil\u00e0 comment je d\u00e9finis mon travail.<br>Sur la plaque de cuivre, je trace directement une composition en ayant conscience que le r\u00e9sultat obtenu \u00e0 l\u2019impression sera invers\u00e9 et donc forc\u00e9ment diff\u00e9rent de mon souhait de d\u00e9part.<br>Mon but n&rsquo;\u00e9tant pas de cr\u00e9er une image g\u00e9om\u00e9triquement parfaite, mais plut\u00f4t de composer avec des traits doux et harmonieux, afin de rendre hommage \u00e0 des objets, des paysages et des espaces familiers \u00e0 l\u2019atmosph\u00e8re chaleureuse. L\u2019 \u0153uvre se pare progressivement de couleurs vives et chaudes \u00e9voluant dans un jeu de lumi\u00e8re et de transparence. Le temps consacr\u00e9 \u00e0 l&rsquo;\u00e9laboration de l\u2019\u0153uvre n&rsquo;est ni compt\u00e9, ni limit\u00e9.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"854\" height=\"1024\" src=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/P8187789-854x1024.jpg\" alt=\"gravure de Ryuichi Maeda, La grille d'arbre (2015), 60 x 50 cm, burin, eau-forte, \nimpression simultan\u00e9e des couleurs.\" class=\"wp-image-1244\" style=\"aspect-ratio:0.8339776409781464;width:880px;height:auto\" srcset=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/P8187789-854x1024.jpg 854w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/P8187789-250x300.jpg 250w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/P8187789-768x921.jpg 768w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/P8187789-1281x1536.jpg 1281w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/P8187789-1707x2048.jpg 1707w\" sizes=\"auto, (max-width: 854px) 100vw, 854px\" \/><figcaption class=\"wp-element-caption\">Ryuichi Maeda, <em>La grille d&rsquo;arbre<\/em> (2015), 60 x 50 cm, burin, eau-forte, <br>impression simultan\u00e9e des couleurs.<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1024\" src=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/1000017976-900x1024.jpg\" alt=\"gravure de Ryuichi Maeda, Le refuge des oiseaux (2025)\" class=\"wp-image-1246\" srcset=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/1000017976-900x1024.jpg 900w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/1000017976-264x300.jpg 264w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/1000017976-768x874.jpg 768w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/1000017976-1350x1536.jpg 1350w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2024\/01\/1000017976-1801x2048.jpg 1801w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Ryuichi Maeda, <em>Le refuge des oiseaux <\/em>(2025), 28 x 24 cm, burin, impression simultan\u00e9e des couleurs.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Liste des expositions (s\u00e9lection)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2025 Journ\u00e9es de l&rsquo;estampe contemporaine, place Saint-Sulpice, Paris 6<sup>e<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023 <em>Stanley William Hayter aujourd&rsquo;hui<\/em>, exposition collective de l&rsquo;Atelier Contrepoint, galerie du Montparnasse, Paris 14<sup>e<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 <em>De l&rsquo;Atelier 17 \u00e0 l&rsquo;Atelier Contrepoint<\/em>, exposition collective, Shenyang, Chine<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 Journ\u00e9es de l&rsquo;estampe contemporaine, place Saint-Sulpice,Paris 6<sup>e<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 <em>Outotsu Hanten<\/em>, exposition collective, Tokyo, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 <em>2<sup>e<\/sup> Rond-Point<\/em>, exposition collective, Kurasiki Cite Arts, Okayama, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 <em>Rond-Point<\/em>, exposition collective, Kurasiki Cite Arts, Okayama, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 Exposition franco-japonaise d\u2019estampes, Paris 4<sup>e<\/sup> + Tokyo, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 Espace d\u2019art, P\u00e9kin, Chine<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 Expo international de Grabado, Argentine\u2028<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016 Espace Culturel Bertin Poir\u00e9e, Paris 1<sup>er<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016 <em>Atelier Contrepoint expo antol\u00f3gica<\/em>, P\u00e9rou<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015 Exposition franco-japonaise d\u2019estampes, Paris 4<sup>e<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015 Shimada Galerie, Hyogo, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014 Salon d&rsquo;Automne, Paris 8<sup>e<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014 Grandes maestoros open studio, seminario de grabado, Argentine<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2024 <em>Metamorphoses<\/em>, Belfast Print Workshop, Irlande<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2013 Galerie du Montparnasse, Paris 14<sup>e<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Galerie Artemper, Paris 14<sup>e<\/sup>\u2028<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012 Estamp&rsquo;art 77, Souppes-sur-Loing, Seine-et-Marne<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012 Shimada Galerie, Hyogo, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011 L&rsquo;arte e il torchio, biennale intenationnale de la gravure, Cremone, Italie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011 2<sup>e<\/sup> Festival des arts Losserand, Paris 14<sup>e\u2028<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2010 Chateau des Tourelles, Le Plessis-Tr\u00e9vise, Val-de-Marne<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2010 Shimada Galerie, Hyogo, Japon\u2028<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2008 Moussem Culturel International d&rsquo;Assilah, MAROC<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2008 Le cabinet d&rsquo;amateur, Paris 11<sup>e<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2008 Art Galerie, Osaka, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2007 L&rsquo;arte e il torchio, biennale intenationnale de la gravure, Cremone, Italie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2007 Evora printmaking festival, Portugal\u2028<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2006 5<sup>th<\/sup> ART\/X International Contemporary Exhibition, Toyama, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2006 Exposition Collective Atelier Contrepoint, Paris 14<sup>e<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2006 Shimada Galerie, Hyogo, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2005 The 3<sup>rd<\/sup> Biennale International Gravure Douro, Portugal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2005 Sekisyou mus\u00e9e galerie, Shimane, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004 Art Zone gallery, Kyoto, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004 Takekawa gallery, Tokyo, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2003 Casa Escute, Puerto Rico<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2002 25<sup>e<\/sup> salon des Arts du 14<sup>e<\/sup>, Paris 14<sup>e<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2002 Art Forum JARFO, Kyoto, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2001 Galerie Strasse, Hyogo, Japon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1999 Glaz\u2019Art, Paris 19<sup>e<\/sup><\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e9 en 1971 au Japon. Vit et travaille en France depuis 1997. Membre de l\u2019atelier Contrepoint depuis 1995, assistant. Expositions<\/p>\n","protected":false},"author":1,"featured_media":1081,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-743","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistes-de-latelier-contrepoint","comments-off"],"_links":{"self":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/comments?post=743"}],"version-history":[{"count":17,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/743\/revisions"}],"predecessor-version":[{"id":1275,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/743\/revisions\/1275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/media\/1081"}],"wp:attachment":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/media?parent=743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/categories?post=743"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/tags?post=743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}