{"id":718,"date":"2025-07-01T18:16:00","date_gmt":"2025-07-01T16:16:00","guid":{"rendered":"https:\/\/ateliercontrepoint.fr\/?p=718"},"modified":"2026-02-27T15:19:17","modified_gmt":"2026-02-27T14:19:17","slug":"takumax","status":"publish","type":"post","link":"https:\/\/ateliercontrepoint.fr\/index.php\/2025\/07\/01\/takumax\/","title":{"rendered":"Takumax"},"content":{"rendered":"\n

N\u00e9 \u00e0 Fukuoka au Japon, en 1981.
A \u00e9tudi\u00e9 les arts plastique \u00e0 l’Universit\u00e9 de Kyushu Sangyo, Fukuoka, de 1999 \u00e0 2003.
S’installe en France en 2006 et fr\u00e9quente alors l’atelier Contrepoint \u00e0 Paris, dont il deviendra assistant jusqu’en 2025.
Il participe r\u00e9guli\u00e8rement \u00e0 des expositions, tant en France qu’\u00e0 l’\u00e9tranger.<\/p>\n\n\n\n

E-mail : Takumax56@yahoo.co.jp
Facebook : @takumax.paris
Instagram : @takumax56<\/p>\n\n\n

\n
\"gravure
Takumax, Joyeuse confusion<\/em>
(2021), 30 \u00d7 40 cm, eau-forte, 3 couleurs simultan\u00e9es.<\/figcaption><\/figure>\n<\/div>\n\n\n


<\/p>\n\n\n\n

Expositions :
2025 Songer couleur<\/em>, 13 artistes graveurs de l\u2019atelier Contrepoint. Tenri, centre culturel japonais, Paris 1er<\/sup>.
2023 La Tentation<\/em>, exposition des graveurs de l’Atelier Contrepoint, espace cultuel Tenri, Paris 1er<\/sup>
2023 Stanley William Hayter aujourd\u2019hui<\/em>, exposition des graveurs de l’Atelier Contrepoint, galerie du Montparnasse, Paris 14e<\/sup>
2022 L\u2019atelier de gravure Contrepoint<\/em>, Conservatoire \u00e0 rayonnement Communal, Ermont
2022 D\u00e9couvertes : Onze Artistes Internationaux<\/em>, galerie Feng Shang, Reims
2022 Outotsu Hanten<\/em>, Tokyo Metropolitan Art Museum, Japon
2021 Exposition de gravures, \u00e9change Cor\u00e9e-Japon, galerie 89, Paris 12e<\/sup>
2020 Exposition Rond-Point#2<\/em>, Kurashiki City Art Museum, Okayama, Japon
2019 Takumax<\/em>, salon japonais Jacques Moisant, Paris 6e<\/sup>
2018 Journ\u00e9es de l\u2019estampe contemporaine, place St-Sulpice, Paris 6e<\/sup>
2017 Exposition au profit de l’association FOP, mairie du 9e<\/sup>, Paris
2016 10 graveurs \u00e0 Paris<\/em>, galerie Ju-Ichigatsu, Tokyo, Japon
2015 No paint, no gain<\/em>, H\u00f4tel Odyssey, Paris 1er<\/sup>
2014 Grand march\u00e9 d\u2019art Contemporain, place de la Bastille, Paris
2013 De Paris \u00e0 Buenos Aires<\/em>, Argentine
2012 Estamp\u2019art 77, Souppes-sur-Loing, France
2011 Parallax Art Fair, La Galeria, The Royal Opera Arcade, Pall Mall-London UK
2010 32e<\/sup> Moussem culturel International d\u2019Assilah, Maroc
2010 IOSIF ISER\u00a0: international contemporary engraving biennial exhibition, Romania
2010 L\u2019 arte e il torchio, Cremona, Italie
2008 1er<\/sup> Salon des arts, Maison-Lafitte
2007 13e<\/sup> Biennale internationale de la gravure et des nouvelles images, Sarcelles<\/p>\n\n\n\n


<\/p>\n\n\n

\n
\"gravure
Takumax, Un peu pompettes !<\/em>
(2020), 50 \u00d7 40 cm, eau-forte, 3 couleurs simultan\u00e9es.<\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00e9 \u00e0 Fukuoka au Japon, en 1981. A \u00e9tudi\u00e9 les arts plastique \u00e0 l’Universit\u00e9 de Kyushu Sangyo, Fukuoka, de 1999<\/p>\n","protected":false},"author":1,"featured_media":1300,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-718","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistes-de-latelier-contrepoint","comments-off"],"_links":{"self":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/comments?post=718"}],"version-history":[{"count":17,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/718\/revisions"}],"predecessor-version":[{"id":1311,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/718\/revisions\/1311"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/media\/1300"}],"wp:attachment":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/media?parent=718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/categories?post=718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/tags?post=718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}