{"id":1437,"date":"2026-11-01T15:26:22","date_gmt":"2026-11-01T14:26:22","guid":{"rendered":"https:\/\/ateliercontrepoint.fr\/?p=1437"},"modified":"2026-11-10T15:32:30","modified_gmt":"2026-11-10T14:32:30","slug":"lharmas-hayter","status":"publish","type":"post","link":"https:\/\/ateliercontrepoint.fr\/index.php\/2026\/11\/01\/lharmas-hayter\/","title":{"rendered":"L&rsquo;Harmas, Hayter"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"887\" height=\"1024\" src=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/11\/3_Stanley-William-Hayter-LHarmas-887x1024.jpeg\" alt=\"\u00ab\u00a0L\u2019Harmas\u00bb, gravure de Stanley William Hayter\" class=\"wp-image-1371\" style=\"aspect-ratio:0.866213473464817;width:664px;height:auto\" srcset=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/11\/3_Stanley-William-Hayter-LHarmas-887x1024.jpeg 887w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/11\/3_Stanley-William-Hayter-LHarmas-260x300.jpeg 260w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/11\/3_Stanley-William-Hayter-LHarmas-768x887.jpeg 768w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/11\/3_Stanley-William-Hayter-LHarmas-1331x1536.jpeg 1331w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/11\/3_Stanley-William-Hayter-LHarmas-1774x2048.jpeg 1774w\" sizes=\"auto, (max-width: 887px) 100vw, 887px\" \/><figcaption class=\"wp-element-caption\">Stanley William Hayter,\u00a0<em>L\u2019Harmas<\/em>. 1969.<br>Burin, vernis mou, 3 couleurs simultan\u00e9es sur cuivre (49.2 x 44 cm), papier : 75.4 x 56 cm.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Paradoxe d&rsquo;une terre st\u00e9rile, riche pourtant de tant de vies d\u00e9pr\u00e9ci\u00e9es, de tant d&rsquo;\u00eatres qui ne comptent que dans la d\u00e9testation des humains. Fausse vacuit\u00e9, d\u00e9fi \u00e0 l&rsquo;action, pr\u00e9sence sans utilit\u00e9 mais v\u00e9h\u00e9mente. La m\u00e9taphore est belle, l&rsquo;espace de la gravure m\u00e9rite le nom d&rsquo;Harmas, aucune exploitation, aucun ajout, ne pourront en nier la justesse pr\u00e9sente ; son vide n&rsquo;est qu&rsquo;apparent, des ondes de verdure \u00e9pousent les mouvements invisibles, des attentes de reprise cr\u00e9ent l&rsquo;attention, comme la force du graveur a inscrit un mouvement riche de penser dans cet objet \u00e9tal et quiet. Mais la terre pourrait \u00eatre la mer, surface aussi trompeuse que l&rsquo;Harmas, cachant tant de vie, ballet insaisissable de tant d&rsquo;\u00eatres incoordonn\u00e9s, comme ces pens\u00e9es sauvages et inconscientes qui se refusent \u00e0 la figure.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paradoxe d&rsquo;une terre st\u00e9rile, riche pourtant de tant de vies d\u00e9pr\u00e9ci\u00e9es, de tant d&rsquo;\u00eatres qui ne comptent que dans la d\u00e9testation des humains. Fausse vacuit\u00e9, d\u00e9fi \u00e0 l&rsquo;action, pr\u00e9sence sans utilit\u00e9 mais v\u00e9h\u00e9mente. La m\u00e9taphore est belle, l&rsquo;espace de la gravure m\u00e9rite le nom d&rsquo;Harmas, aucune exploitation, aucun ajout, ne<\/p>\n","protected":false},"author":4,"featured_media":1371,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,22],"tags":[],"class_list":["post-1437","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-atelier-17","category-texte-et-image"],"_links":{"self":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/1437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1437"}],"version-history":[{"count":1,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/1437\/revisions"}],"predecessor-version":[{"id":1438,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/1437\/revisions\/1438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/media\/1371"}],"wp:attachment":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/categories?post=1437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/tags?post=1437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}