{"id":1200,"date":"2026-02-01T21:03:00","date_gmt":"2026-02-01T20:03:00","guid":{"rendered":"https:\/\/ateliercontrepoint.fr\/?p=1200"},"modified":"2026-02-16T21:48:57","modified_gmt":"2026-02-16T20:48:57","slug":"kayoko-konomi","status":"publish","type":"post","link":"https:\/\/ateliercontrepoint.fr\/index.php\/2026\/02\/01\/kayoko-konomi\/","title":{"rendered":"Kayoko Konomi"},"content":{"rendered":"\n<p>Artiste japonaise, elle commence la gravure en 2008 \u00e0 l\u2019atelier Contrepoint.<br>Elle r\u00e9alise des eaux-fortes centr\u00e9es sur la figure humaine, inspir\u00e9es de r\u00e9cits et de l\u2019univers du cirque, avec une approche symbolique.<\/p>\n\n\n\n<p>Principales expositions r\u00e9centes :<br>2024 \u2013 Petit Format de No\u00ebl, Auvers-sur-Oise<br>2023 \u2013 Triennale de gravure en taille-douce, Lisle-sur-Tarn<br>2022, 2025 \u2013 Journ\u00e9e de l\u2019estampe contemporaine, Paris, stand de l\u2019atelier Contrepoint<\/p>\n\n\n\n<p>Kayoko Konomi a organis\u00e9 \u00e0 trois reprises l\u2019exposition franco-japonaise <em>Rond-Point<\/em> (2019, 2020 et 2025), pr\u00e9sent\u00e9e dans des mus\u00e9es au Japon et dans des centres culturels \u00e0 Paris.<br>Elle expose r\u00e9guli\u00e8rement \u00e0 Paris et en r\u00e9gion parisienne.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"2560\" src=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/40arlequange-scaled.jpg\" alt=\"gravure de Kayoko Konomi, Arlequange (2022), 40 x 30 cm, eau-forte.\" class=\"wp-image-1201\" srcset=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/40arlequange-scaled.jpg 1920w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/40arlequange-225x300.jpg 225w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/40arlequange-768x1024.jpg 768w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/40arlequange-1152x1536.jpg 1152w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/40arlequange-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Kayoko Konomi, <em>Arlequange<\/em> (2022), 40 x 30 cm, eau-forte.<\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/IMG_8234-683x1024.jpg\" alt=\"gravure de Kayoko Konomi, La dame de pique (2025), 30 x 20 cm, eau-forte.\" class=\"wp-image-1203\" style=\"width:574px;height:auto\" srcset=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/IMG_8234-683x1024.jpg 683w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/IMG_8234-200x300.jpg 200w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/IMG_8234-768x1151.jpg 768w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/IMG_8234-1025x1536.jpg 1025w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/IMG_8234-1367x2048.jpg 1367w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/IMG_8234-scaled.jpg 1709w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Kayoko Konomi, <em>La dame de pique <\/em>(2025), 30 x 20 cm, eau-forte.<\/figcaption><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p>Ma pratique s\u2019articule principalement autour de la technique de l\u2019eau-forte. Je construis mes figures \u00e0 partir de surfaces en motifs de damier issues de l\u2019entrecroisement de courbes organiques, ainsi que de motifs r\u00e9p\u00e9titifs et floraux. Les r\u00e9serves d\u2019encre cr\u00e9\u00e9es par les diff\u00e9rences de niveaux de la morsure donnent profondeur et nuances \u00e0 la couleur. G\u00e9om\u00e9triques mais travers\u00e9es par la chaleur du trait dessin\u00e9 \u00e0 la main, les figures font appara\u00eetre, dans des corps, des r\u00e9cits vivants.<\/p>\n\n\n\n<p>Si celui qui regarde mes gravures laisse l\u2019imaginaire s\u2019ouvrir et y fait na\u00eetre sa propre histoire, alors nous partageons un m\u00eame espace sensible.<br>J\u2019aimerais que mes gravures soient cette porte ouverte.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"706\" height=\"1024\" src=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/43reine_de_coeur-706x1024.jpg\" alt=\"gravure de Kayoko Konomi, La dame de c\u0153ur (2025), 24 x 16 cm, eau-forte.\" class=\"wp-image-1202\" style=\"width:543px;height:auto\" srcset=\"https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/43reine_de_coeur-706x1024.jpg 706w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/43reine_de_coeur-207x300.jpg 207w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/43reine_de_coeur-768x1113.jpg 768w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/43reine_de_coeur-1060x1536.jpg 1060w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/43reine_de_coeur-1413x2048.jpg 1413w, https:\/\/ateliercontrepoint.fr\/wp-content\/uploads\/2026\/02\/43reine_de_coeur-scaled.jpg 1766w\" sizes=\"auto, (max-width: 706px) 100vw, 706px\" \/><figcaption class=\"wp-element-caption\">Kayoko Konomi, <em>La dame de c\u0153ur<\/em> (2025), 24 x 16 cm, eau-forte.<\/figcaption><\/figure>\n<\/div>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artiste japonaise, elle commence la gravure en 2008 \u00e0 l\u2019atelier Contrepoint.Elle r\u00e9alise des eaux-fortes centr\u00e9es sur la figure humaine, inspir\u00e9es<\/p>\n","protected":false},"author":1,"featured_media":1206,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-1200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistes-de-latelier-contrepoint","comments-off"],"_links":{"self":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/1200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1200"}],"version-history":[{"count":7,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/1200\/revisions"}],"predecessor-version":[{"id":1215,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/posts\/1200\/revisions\/1215"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/media\/1206"}],"wp:attachment":[{"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/categories?post=1200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ateliercontrepoint.fr\/index.php\/wp-json\/wp\/v2\/tags?post=1200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}